| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
|
По разделу |
100996 | 2996 |
22 |
285 |
245 |
165 |
182 |
227 |
324 |
311 |
366 |
287 |
269 |
313 |
1 |
7 |
7 |
7 |
7 |
9 |
8 |
8 |
11 |
8 |
9 |
8 |
9 |
12 |
10 |
11 |
9 |
12 |
7 |
8 |
11 |
9 |
9 |
9 |
6 |
9 |
8 |
17 |
9 |
9 |
12 |
7 |
8 |
9 |
7 |
8 |
8 |
13 |
9 |
7 |
6 |
8 |
7 |
6 |
8 |
8 |
8 |
5 |
4 |
13 |
13 |
8 |
10 |
6 |
13 |
14 |
14 |
12 |
6 |
5 |
3 |
6 |
|
Данте Алигиери. Жизнь и творчество |
7553 | 2602 |
15 |
242 |
217 |
109 |
113 |
191 |
275 |
292 |
354 |
271 |
239 |
284 |
1 |
2 |
6 |
6 |
6 |
9 |
6 |
6 |
11 |
8 |
7 |
5 |
6 |
7 |
6 |
11 |
9 |
12 |
7 |
8 |
11 |
9 |
9 |
9 |
6 |
4 |
4 |
17 |
7 |
8 |
12 |
3 |
5 |
7 |
7 |
8 |
8 |
13 |
9 |
4 |
6 |
5 |
7 |
6 |
8 |
8 |
3 |
5 |
2 |
13 |
13 |
8 |
10 |
5 |
13 |
14 |
14 |
12 |
1 |
5 |
1 |
6 |
|
Леонардо да Винчи |
5946 | 1647 |
14 |
170 |
119 |
116 |
106 |
132 |
137 |
152 |
183 |
152 |
195 |
171 |
1 |
3 |
7 |
3 |
7 |
5 |
8 |
5 |
10 |
6 |
2 |
5 |
9 |
6 |
10 |
4 |
9 |
5 |
6 |
4 |
4 |
3 |
5 |
4 |
2 |
9 |
2 |
4 |
5 |
3 |
9 |
4 |
6 |
3 |
6 |
3 |
6 |
4 |
4 |
5 |
1 |
5 |
7 |
5 |
7 |
4 |
6 |
4 |
3 |
6 |
6 |
4 |
1 |
3 |
2 |
4 |
4 |
9 |
6 |
1 |
0 |
0 |
|
Никколо Макиавелли |
4715 | 1497 |
21 |
204 |
127 |
82 |
130 |
130 |
164 |
144 |
114 |
119 |
128 |
134 |
1 |
7 |
7 |
6 |
5 |
6 |
5 |
8 |
10 |
8 |
9 |
5 |
7 |
8 |
6 |
6 |
5 |
7 |
6 |
5 |
9 |
4 |
8 |
6 |
6 |
6 |
7 |
9 |
9 |
9 |
5 |
3 |
6 |
4 |
7 |
8 |
7 |
8 |
5 |
2 |
2 |
4 |
5 |
3 |
4 |
3 |
8 |
2 |
2 |
4 |
6 |
3 |
5 |
6 |
3 |
9 |
4 |
7 |
3 |
2 |
1 |
0 |
|
Начало итальянского Возрождения |
6099 | 1443 |
12 |
150 |
84 |
86 |
74 |
83 |
167 |
160 |
144 |
123 |
146 |
214 |
1 |
1 |
6 |
4 |
7 |
7 |
4 |
7 |
4 |
6 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
7 |
2 |
2 |
4 |
3 |
8 |
4 |
3 |
2 |
8 |
7 |
4 |
6 |
3 |
7 |
8 |
9 |
4 |
5 |
7 |
4 |
2 |
1 |
1 |
8 |
1 |
1 |
4 |
4 |
2 |
1 |
2 |
1 |
6 |
2 |
4 |
4 |
2 |
3 |
4 |
3 |
3 |
1 |
2 |
1 |
|
Чосер |
5595 | 1354 |
7 |
106 |
81 |
66 |
54 |
133 |
215 |
149 |
163 |
107 |
125 |
148 |
1 |
2 |
3 |
1 |
1 |
4 |
3 |
4 |
1 |
2 |
3 |
4 |
7 |
12 |
5 |
5 |
2 |
6 |
1 |
1 |
2 |
3 |
8 |
2 |
5 |
2 |
1 |
3 |
2 |
4 |
2 |
2 |
3 |
3 |
3 |
4 |
6 |
3 |
4 |
4 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
4 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
0 |
3 |
8 |
4 |
0 |
2 |
3 |
|
Очерки итальянского Возрождения |
5386 | 1352 |
10 |
137 |
100 |
86 |
112 |
100 |
117 |
145 |
140 |
118 |
136 |
151 |
1 |
2 |
3 |
4 |
7 |
6 |
7 |
3 |
4 |
7 |
7 |
8 |
7 |
3 |
2 |
7 |
4 |
5 |
3 |
3 |
1 |
3 |
2 |
2 |
1 |
1 |
5 |
6 |
6 |
4 |
3 |
3 |
8 |
3 |
6 |
5 |
6 |
7 |
2 |
2 |
2 |
5 |
6 |
2 |
2 |
3 |
4 |
2 |
3 |
3 |
7 |
2 |
6 |
6 |
1 |
3 |
4 |
5 |
0 |
1 |
3 |
2 |
|
Поэзия английского Возрождения |
4349 | 1257 |
18 |
102 |
86 |
65 |
66 |
103 |
159 |
152 |
123 |
104 |
150 |
129 |
1 |
5 |
5 |
7 |
2 |
3 |
3 |
3 |
3 |
1 |
4 |
4 |
1 |
4 |
6 |
3 |
6 |
1 |
3 |
3 |
7 |
3 |
4 |
2 |
3 |
3 |
4 |
5 |
4 |
3 |
2 |
5 |
1 |
4 |
2 |
5 |
4 |
3 |
9 |
3 |
1 |
5 |
1 |
2 |
0 |
2 |
1 |
2 |
4 |
3 |
3 |
4 |
3 |
2 |
4 |
1 |
2 |
8 |
2 |
0 |
2 |
0 |
|
Карло Гольдони. Трактирщица |
3726 | 924 |
8 |
100 |
78 |
68 |
79 |
84 |
75 |
85 |
91 |
87 |
91 |
78 |
0 |
3 |
3 |
2 |
4 |
6 |
2 |
1 |
1 |
2 |
3 |
2 |
4 |
4 |
3 |
4 |
2 |
4 |
3 |
3 |
1 |
3 |
5 |
1 |
4 |
4 |
3 |
3 |
3 |
6 |
6 |
2 |
2 |
4 |
5 |
6 |
4 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
5 |
2 |
2 |
1 |
1 |
2 |
5 |
1 |
1 |
3 |
5 |
6 |
2 |
5 |
3 |
1 |
1 |
3 |
|
Карло Гольдони. Слуга двух хозяев |
3161 | 921 |
11 |
107 |
64 |
43 |
79 |
90 |
76 |
83 |
108 |
94 |
91 |
75 |
0 |
5 |
4 |
2 |
2 |
8 |
2 |
4 |
4 |
4 |
2 |
6 |
1 |
5 |
1 |
3 |
2 |
3 |
3 |
1 |
4 |
5 |
1 |
3 |
2 |
3 |
5 |
5 |
5 |
6 |
3 |
2 |
5 |
2 |
5 |
3 |
3 |
1 |
5 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
4 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
3 |
2 |
4 |
3 |
1 |
0 |
0 |
4 |
|
Вазари и Италия |
3438 | 915 |
13 |
80 |
81 |
50 |
53 |
77 |
90 |
98 |
107 |
73 |
88 |
105 |
1 |
3 |
4 |
5 |
1 |
3 |
2 |
2 |
3 |
1 |
6 |
3 |
1 |
2 |
2 |
4 |
4 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
2 |
5 |
2 |
4 |
2 |
2 |
4 |
3 |
6 |
1 |
3 |
5 |
5 |
3 |
2 |
5 |
5 |
3 |
2 |
0 |
1 |
2 |
5 |
1 |
2 |
5 |
3 |
1 |
3 |
4 |
1 |
2 |
2 |
4 |
4 |
0 |
2 |
2 |
|
Предшественники Шекспира |
3451 | 881 |
7 |
66 |
54 |
48 |
64 |
105 |
106 |
96 |
86 |
59 |
102 |
88 |
1 |
3 |
2 |
1 |
3 |
3 |
0 |
4 |
2 |
1 |
6 |
1 |
2 |
1 |
1 |
2 |
5 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
6 |
2 |
3 |
2 |
5 |
1 |
2 |
3 |
4 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
3 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
3 |
|
Ю. Девятова. Триумф и трагедия отечественного либерализма |
2619 | 811 |
9 |
92 |
76 |
63 |
64 |
81 |
82 |
81 |
76 |
47 |
74 |
66 |
1 |
1 |
5 |
2 |
4 |
4 |
2 |
4 |
1 |
2 |
4 |
4 |
1 |
4 |
4 |
4 |
3 |
1 |
1 |
3 |
1 |
4 |
3 |
3 |
2 |
4 |
3 |
3 |
2 |
2 |
3 |
5 |
5 |
2 |
4 |
2 |
3 |
3 |
2 |
2 |
1 |
3 |
2 |
5 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
3 |
5 |
0 |
2 |
3 |
2 |
|
Франческо Гвиччардини |
2987 | 806 |
9 |
78 |
68 |
51 |
45 |
59 |
61 |
78 |
89 |
96 |
71 |
101 |
1 |
1 |
6 |
1 |
0 |
4 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
2 |
4 |
4 |
4 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
6 |
3 |
4 |
2 |
4 |
3 |
3 |
3 |
4 |
2 |
4 |
1 |
0 |
4 |
0 |
4 |
1 |
2 |
3 |
3 |
2 |
1 |
3 |
4 |
1 |
4 |
3 |
2 |
1 |
3 |
6 |
0 |
1 |
1 |
0 |
|
Поджо Браччолини и его "Фацетии" |
3010 | 789 |
6 |
65 |
71 |
57 |
53 |
55 |
91 |
89 |
78 |
70 |
74 |
80 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
5 |
2 |
0 |
1 |
2 |
0 |
3 |
5 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
5 |
3 |
1 |
2 |
5 |
3 |
4 |
4 |
2 |
3 |
3 |
7 |
1 |
3 |
2 |
2 |
2 |
4 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
3 |
2 |
3 |
0 |
4 |
1 |
0 |
1 |
0 |
|
Главы из "Истории западноевропейского театра от возникновения до 1789 года" |
1130 | 788 |
9 |
71 |
72 |
40 |
46 |
83 |
88 |
103 |
86 |
57 |
69 |
64 |
0 |
3 |
5 |
1 |
4 |
2 |
5 |
4 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
7 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
5 |
3 |
1 |
3 |
1 |
2 |
4 |
7 |
4 |
2 |
2 |
0 |
2 |
3 |
3 |
2 |
4 |
3 |
4 |
2 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
1 |
7 |
1 |
0 |
1 |
1 |
|
Карло Гольдони. Забавный случай |
2507 | 774 |
9 |
71 |
69 |
62 |
77 |
77 |
62 |
67 |
82 |
60 |
78 |
60 |
0 |
4 |
2 |
3 |
2 |
5 |
1 |
1 |
3 |
1 |
4 |
4 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
3 |
2 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
4 |
2 |
5 |
2 |
2 |
1 |
5 |
5 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
3 |
0 |
3 |
2 |
2 |
2 |
4 |
3 |
1 |
2 |
2 |
3 |
3 |
2 |
3 |
3 |
3 |
1 |
|
Поджо Браччолини. Из "Фацетий" |
1260 | 762 |
13 |
96 |
80 |
61 |
50 |
55 |
65 |
80 |
73 |
63 |
72 |
54 |
1 |
2 |
6 |
4 |
2 |
4 |
3 |
5 |
1 |
3 |
4 |
7 |
1 |
3 |
3 |
3 |
3 |
2 |
4 |
3 |
1 |
3 |
1 |
2 |
5 |
6 |
1 |
2 |
4 |
4 |
4 |
2 |
5 |
3 |
2 |
3 |
3 |
6 |
5 |
0 |
3 |
5 |
2 |
3 |
4 |
2 |
3 |
5 |
1 |
6 |
1 |
3 |
2 |
2 |
2 |
2 |
4 |
4 |
1 |
0 |
1 |
0 |
|
Статьи для Литературной энциклопедии |
2691 | 734 |
5 |
58 |
77 |
46 |
43 |
59 |
76 |
84 |
76 |
62 |
72 |
76 |
0 |
1 |
3 |
1 |
3 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
5 |
1 |
3 |
1 |
3 |
2 |
5 |
3 |
3 |
6 |
3 |
2 |
3 |
3 |
5 |
2 |
2 |
4 |
3 |
1 |
2 |
4 |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
4 |
3 |
1 |
1 |
2 |
|
Шекспир и Италия |
2278 | 707 |
3 |
58 |
52 |
46 |
41 |
54 |
67 |
77 |
84 |
82 |
76 |
67 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
3 |
3 |
2 |
4 |
1 |
1 |
4 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
3 |
1 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
4 |
0 |
2 |
1 |
4 |
2 |
0 |
4 |
2 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
|
М. Л. Андреев. Дживелегов — историк итальянского Возрождения |
2455 | 666 |
2 |
68 |
61 |
42 |
28 |
65 |
62 |
87 |
67 |
52 |
62 |
70 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
3 |
3 |
6 |
2 |
5 |
3 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
4 |
0 |
4 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
2 |
4 |
2 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
2 |
2 |
4 |
3 |
1 |
|
Леонардо и Возрождение |
2924 | 663 |
4 |
54 |
48 |
48 |
42 |
50 |
49 |
87 |
92 |
49 |
68 |
72 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
6 |
0 |
1 |
4 |
3 |
1 |
4 |
5 |
1 |
2 |
3 |
3 |
3 |
3 |
2 |
0 |
0 |
6 |
2 |
0 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
|
Никколо Макиавелли. Жизнь Каструччо Кастракани из Лукки |
2763 | 654 |
6 |
45 |
41 |
52 |
56 |
48 |
56 |
81 |
73 |
55 |
73 |
68 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
|
Рабле |
2768 | 623 |
2 |
49 |
42 |
29 |
34 |
73 |
60 |
91 |
59 |
48 |
63 |
73 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
3 |
2 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
|
Театр и драма периода Реставрации |
1331 | 594 |
7 |
62 |
53 |
31 |
37 |
43 |
54 |
67 |
58 |
45 |
73 |
64 |
0 |
2 |
4 |
1 |
1 |
4 |
1 |
3 |
2 |
2 |
2 |
3 |
0 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
4 |
3 |
1 |
3 |
3 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
3 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
3 |
1 |
3 |
1 |
3 |
0 |
1 |
4 |
3 |
2 |
0 |
1 |
1 |
|
Отечественная война и русское общество |
2529 | 564 |
7 |
56 |
45 |
43 |
46 |
39 |
38 |
57 |
57 |
54 |
60 |
62 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
4 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
3 |
6 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
|
Аньоло Фиренцуола |
2338 | 549 |
6 |
55 |
42 |
34 |
38 |
44 |
50 |
53 |
56 |
49 |
60 |
62 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
3 |
3 |
3 |
3 |
4 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
|
Пастораль Боккаччо |
2079 | 518 |
5 |
46 |
44 |
37 |
31 |
36 |
43 |
62 |
63 |
46 |
50 |
55 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
|
Карло Гольдони. Феодал |
2278 | 518 |
4 |
54 |
46 |
34 |
31 |
53 |
50 |
63 |
53 |
43 |
38 |
49 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
4 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
5 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
3 |
6 |
5 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
|
Николо Макиавелли. О том, как надлежит поступать с восставшими жителями Вальдикьяны |
1335 | 491 |
1 |
39 |
45 |
37 |
36 |
38 |
39 |
60 |
51 |
42 |
53 |
50 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
6 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
0 |
3 |
4 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
|
Р. И. Хлодовский. Об А. К. Дживелегове |
1947 | 484 |
3 |
37 |
38 |
37 |
27 |
35 |
36 |
59 |
68 |
40 |
44 |
60 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
4 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
|
Карло Гольдони. Новая квартира |
1867 | 467 |
4 |
36 |
44 |
29 |
32 |
41 |
31 |
59 |
54 |
47 |
43 |
47 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
|
Добролюбов и идея революции |
1132 | 444 |
6 |
34 |
41 |
29 |
29 |
33 |
42 |
52 |
49 |
44 |
37 |
48 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
|
Николо Макиавелли. Описание того, как избавился герцог Валентино от Вителлоццо Вителли, Оливеретто Да Фермо, синьора Паоло и герцога Гравина Орсини |
1349 | 441 |
3 |
38 |
33 |
35 |
31 |
34 |
32 |
47 |
48 |
43 |
55 |
42 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |